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Last semester I had a frat boy for a roommate.
His name was Jason.
Almost every other night, it seemed, Jason would
stumble into our room with a brand new
girl and have sex with her on our futon.
Most of the times I would still be wide awake,
writing a paper or just sitting on my computer,
though that never stopped him.
I began to observe that the girls he brought
into our room were always at least twice his size,
and so drunk they could barely string together
enough syllables to tell me their name, which really
didn’t matter, because I knew that neither I nor Jason
would ever speak to them again.
But one afternoon, out of concern for all parties
involved, I brought my observations up to Jason.
He was shocked, and responded condescendingly,
“It’s not always about looks, Sonny. It’s about
what’s on the inside.”
It’s been six months since he said this, and
I’m still trying to figure out just what, exactly,
he meant.
©2005-2010 !railroadearth6
:iconrailroadearth6:

Author's Comments

ya know.

Comments


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:iconwhitelight00:
Ah, I get it. That's kind of a sad story, if you think about it.

--
mike
:iconanarchypress:
I read through your poetry gallery, and I like the direction you're going with this one.

~M

--
[link]
:iconcreakorheuman:
_The point at the end is alright, but it's like a pedestrian walking down the street with a big fucking vanilla icecream cone. Up until the last tercet it's boring, and by the time you get around to the point of the thing, you haven't established the credibility.
:iconrailroadearth6:
Any rhetorical suggestions for making it less boring? How do you establish credibility in a short narrative poem?

And I don't normally write like that. So if you could enlighten me further, please don't hold back. I'd appreciate it.
:iconcreakorheuman:
The point of first-person narration is the unique point of view, and this narrator's telling lacks style. There is nothing that makes me stop and think "Damn, I never look at it that way" before. I could get this poem by talking to one of the yahoos in my apartment building. Calling him a "frat boy" right off the bat immediately makes the reader file Jason into whatever preconceived notions they have about a "frat boy", and then the entire poem is based on that viewpoint. Who is Jason? He's a frat boy, but a Frat boy with a pseudo-philosophical justification for the girls he brings back to the room. It's paper-thin and one-dimentional.
:iconcataplasia:
the title really sums this one up
:iconoriginill:
haha brilliant wit & deeper tragedy. bravo.

--
my enemy said to me, "love your enemy."
and i obeyed him and loved myself. gibran
:iconmerrydishnig:
it's a like 'filling a hole forever' withina humorous yet sad tale.
:icondark0dark:
this has quite a ginsberg feel to it. which is obviously a good thing. excellent work.

--
SOMEONE STILL LOVES YOU BORIS YELTSIN!

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September 18, 2005
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